Dawn of the Planet of the Apes Review
Dawn of a new age. Film review by Isaac Handelman Summer blockbusters are in a time of upheaval. Studios are becoming more willing to take on risky ventures as audiences show an increasing willingness to buy tickets to films based on outlandish properties and unconventional setups. Still, the basic “good vs. evil” archetype has remained a relative staple of tentpole pics. If Dawn of the Planet of the Apes is any indication of the direction in which blockbuster filmmaking is moving, then that could be the next ingrained element to go. Using the word “ballsy” to describe the film’s approach seems quaint; calling Dawn of the Planet of the Apes a “eureka” moment feels more fitting. Embracing moral ambiguity and throwing almost any semblance of “the good guys” or “the bad guys” out the window from the get go, Dawn is an absolute delight: a summer blockbuster that almost never gives its audience the slightest indication of which side to root for. Screenwriters Mark Bomback, Rick J...